Tuesday, February 23, 2016
The Convenient Canon
Today's Apocrypha
Does Majority Equal Authority?
Frans van Liere has completely perplexed me about the authority of the Bible. Though my thoughts were shaken by Michael Satlow and his dismemberment of how the Bible was used in antiquity, how out of context we often use Biblical references today, and an overall disregard to everything I thought I knew, Frans Van Liere has showed me that there is even more to question. Frans Van Liere and Michael Satlow are similar by how they both use historical evidence in a manner that shows discrepancies with common thoughts concerning the Bible. By highlighting the discrepancies, like Van Liere's notion of an unfixed group of texts that is now considered the Bible or Satlow's usage of the Bible in antiquity versus how the Bible is used today, the authors are able to activate the part of every religious scholar's mind that asks "What makes this text authoritative and why do large sums of people follow it?" The answer to this question gets more complicated with each reading we are assigned, but for now I can sum up what I've learned thus far: "Believe what you like, but don't believe everything you read without questioning it."
Scripture outside of Canon
Apocrypha
Adaptability and Influence in Medieval Judaism
Early medieval Judaism faced the problem of the Bible becoming a “closed book” for most European Jews due to the spread of Jews through Europe and therefore the loss of Hebrew as a spoken language, as well as the fact that some biblical doctrine did not coincide with rabbinic teachings. However, this problem did not last due to the increasing popularity of biblical exegesis during that time and the ability of medieval Judaism to absorb aspects of contemporary culture. In fact, Judaism's response to the cultural changes around it demonstrate an enduring adaptability.
We see both extensive commentary on the books of the Hebrew Bible from this period as well as Christian, Muslim, and secular influence in the preservation and evolution of the text. Among the medieval Jewish exegetes, figures like Rashi (Rabbi Solomon b. Isaac), whose work is still valued by today’s Orthodox Jews, and Abraham Ibn ‘Ezra, a wielder of healthy skepticism and rationalism, stand out prominently for their long and nuanced commentaries. Commentary and understanding, alongside the needs of women and the uneducated to understand scripture, prompted the beginnings of translation into vernacular languages. We see outside influence here also as in the case of the Bible of the Duke of Alba, a Spanish Jewish Bible which was translated from the Vulgate but with preference for the Hebrew text when differences were noted. The nature of the work and the rabbi's willingness to do it show the harmony which existed between Jews and Christians of the period in Spain. Codices containing the Bible and other texts like the Haggadah also began to be decorated, some with sacred objects and symbols, others with knights or animals, and still others with script and illuminations inspired by Muslim art.
These developments mark the adaptability of Judaism and, indeed, religion itself in medieval Europe. Not only was this a time during which scholars were exploring questions about faith and scripture, but it was also a time in which ideas from secular life and competing traditions could be integrated into part of one’s religion. While the Middle Ages were certainly no bastion of religious tolerance, this idea does stand in opposition to thoughts of medieval religion as completely intolerant of outside ideas.
Questionable Decisions
Did Symbolism Significantly Change the Bible?
Clearly symbolism was important in antiquity. But what happens when symbolism results in edits to these biblical stories in a significant way? The story of Noah and the flood told in Genesis is seen in places other than the Bible -- specifically here in the Epic of Gilgamesh, an epic poem from Mesopotamia. The flood story in Gilgamesh parallels Genesis, almost to a "t". It is not too much of a stretch to claim that the flood story recounted in Genesis was modeled to some extent on the older, very similar Mesopotamian story. However, one of the few noticeable changes in Genesis's account of the flood is its length. Why? The easy answer is that the change from 6 days worth of flooding (as told in Gilgamesh) to a much longer and symbolic 40 days seems to suggest that writers had no qualms about editing their story for a greater purpose -- in this case, promoting the importance of symbolism through numbers which they do frequently in both the Old and New Testament.
When reading Van Liere's "An Introduction to the Medieval Bible", the idea of symbolism reared its head again. Van Liere states that the Codex Amiatinus has 70 books -- 70 another symbolic number. This didn't just happen by chance, as "two letters of Peter are taken as one, and the book of Lamentations was regarded as a part of Jeremiah"(54). This got me thinking, did this emphasis on symbolism have a grander effect on the canon as we know it today than just the changing of some stories as seen in Genesis? For example, the Hebrew Bible has 24 books in total, another symbolic number seen frequently in the Old Testament. If the writers in antiquity were willing to edit, blend, and cut stories in order to reach the number 70, did this occur in other cases still seen today such as the 24 books of the Hebrew Bible (similar to where Van Liere discusses the 22 books put together by Jerome, and the symbolism of the number 22)? It certainly seems that Van Liere is suggesting this importance of symbolism had a much greater affect on the Bible than we previously may have given credit.
Interpretation and Illumination
Wednesday, February 17, 2016
Change Outside the Canon: How Views of the Apocrypha Have Transformed Over Time
Tuesday, February 16, 2016
Considering Apocryphal Writings
Annette Yoshiko Reed looks beyond this traditional conversation surrounding the New Testament apocrypha, and instead turns to how apocryphal writings influence people and their perspectives. I find this take on apocrypha refreshing, as it focuses more on the impact of apocrypha instead of strictly engaging and evaluating the content. Browsing Reed’s tumblr, it is fascinating to see how apocrypha has captured the imagination of animé artists. This re-purposing of apocryphal writings shows how texts are continuously being re-imagined and used in different ways today in different cultures and communities. It is important to consider not only how biblical stories are “reinvented”, but also how apocryphal texts experience this reinvention too.