In Dungan’s
first chapter, he examines the definition of scripture, and goes over what
canon means to a religious collection of works.
This discussion struck me, and added to the discussions that we have had
in class this semester. The idea of a
real set canon seems fundamentally false.
Works seen
as authoritative and necessary for a tradition tend to change dramatically over
the course of history, from the Upanishad example that Dungan offers (2), to
the collections of texts that Christianity looks to. In the Christian tradition, authority has
been granted to a slew of books, their acceptance shifting with politics and
society, from Gnostic texts and those works now labeled the Apocrypha, to the
modern Christian Bible. Even now, the
Bible is not a solid canon: the hundreds of translations shift the meaning of
each line just enough to notice, there are comic book and illustrated Bibles,
and some books that are accepted by certain sects and dismissed by others. Each of these versions and additions to the
Biblical canon hold their own authority, and are accepted as canon to their own
people. While canon could be seen as an
individually determined sort of thing, that rather defeats the purpose of
setting it out.
It seems to
me that canon is not something that can really and truly be determined. Instead, scripture is the determining
identifier; scripture is an ever-changing, developing set of sacred works that
people turn to. Instead of setting out
deceptively distinct borders around ‘canonical’ texts, it seems that scripture
is a much more accurate descriptor for sacred texts in the past and today.
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